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‘Travellin’ Band: Creedence Clearwater Revival at the Royal Albert Hall’ captures the band’s peak just before its collapse


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Travellin’ Band: Creedence Clearwater Revival at Royal Albert Hall

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At times, Creedence Clearwater Revival seemed like they could encapsulate America’s entire existence, past and present, the good and the bad, in one three-minute song. Sounds like a ’50s rockabilly combo, a Memphis soul revue, a psychedelic San Francisco rocker, or a band from last century Jag. Many other bands have tried similar tricks and failed. Credence found success thanks to the simple perfection of their recordings and the songwriting of lead his singer and guitarist John Fogerty, who spoke of everyday people, everyday problems and everyday joys.

As remarkable as their timeless music is their commercial success and pace of production. From 1968 until his 1972 dissolution, they released his nine Top 10 singles and six platinum-selling his albums in a row. Three of his albums were released in 1969 and two in 1970. In April 1970 they flew to Europe for their first overseas tour.A new documentary for Netflix filmed at the time but never released Travelin’ Band: Creedence Clearwater Revival at Royal Albert Hall captures the proceedings, including the full performance from one of two sold-out shows at the prestigious London venue.

Actor Jeff Bridges’ narration recalls his iconic performance as Jeffrey “The Dude” Lebowski, while the first half of the film mixes tour footage with a cursory history of the band. Unlike the songwriting credits that led to their split, the four members were given the same screen time and displayed different attitudes. enthusiastic and enjoying his first trip to Europe. The Fogerty brothers John and rhythm guitarist Tom are understated and choose their words carefully. When asked how he found the “Parisian girls,” John nervously replied, “I’m just in my room for now. Same room in Berlin or Stockholm.” is.”

“I think this tour proves that after 15 years, someone is taking rock and roll music seriously,” Cook said early on, recalling the genre’s brief history up to that point. let By 1970, the band members had already performed together for 11 years. A pregnant Credence released her record as early as 1961 as Tommy Fogerty and the Blue Her Velvet. In the wake of The Beatles, they were signed to local jazz label Fantasy Records.this is racist connotation.

The band’s future was sidetracked by the Vietnam War. After receiving draft notices, John enlisted in the Army Reserve and Doug enlisted in the Coast Guard. Neither saw combat, but the experience inspired songs such as “Lucky Son”, which denounces war hawks who rarely suffer the consequences of armed conflict. Fogarty wears a military field jacket that must have been spotted during a visit to the Berlin Wall.

Upon returning from military service, the group renamed itself Creedence Clearwater Revival. After two of his singles featuring covers of ’50s rock and roll standards, with John taking over the creative reins, the band gained momentum with his 1969 “Proud of His Mary”, charting to rival the Beatles. His topper championship marked the beginning of his run. The mix of old and new influences and Fogarty’s plain spoken language lyrics that dealt with the turmoil of the times without being too biased in either direction made it popular with blue-collar workers and hippie freaks.

After almost 40 minutes of assembly, Credence finally appears on stage at the Royal Albert Hall with the majesty of a workman. No stage show, no banter between songs. A band of four her members stand nearby, as if he were playing at a local bar rather than a 5,000-seat concert hall. They’re not standing still, they certainly enjoy and feel the music, but they don’t have the pomp and pomp you might expect to see at a Rolling Stones concert, for example. Aside from Fogarty’s leather trousers, they look like they’ve walked off the street.

The song plays just as it was recorded, but faster and hotter. It takes a few songs for Creedence to loosen up, but after a few songs they hit their groove. John’s vocals and lead playing take center stage, and while it’s easy to forget how good a guitarist he is, Tom’s steady strum provides a hypnotic throb. As rhythm sections, Cook and Clifford are as dependable as Booker T. & The MG, but they’re not afraid to lean back and rock the material.

“Thank you so much for being here in London,” John said before the final song. The rather subdued British crowd finally got up and danced on the island. The band reportedly received a 15-minute standing ovation afterward.

fun, informative and satisfying, Travelin’ Band: Creedence Clearwater Revival at Royal Albert Hall We see the band playing at the top of their game, but they’re also playing at the top of the mountain.3 months after returning from Europe they will release Cosmo’s factory, the biggest album of their career. Less than a year later, Tom Fogerty quit, feeling shut out of the creative process by his younger brother. The band further he struggled for a year before disbanding completely in 1972. The pain surrounding Credence’s death continues to this day, but the film freezes them in a moment when they could do no wrong and the future is full of possibilities.

Benjamin H. Smith is a New York-based writer, producer and musician. Follow him on Twitter.@BHSmithNYC.





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