waves of Offscreen drama and gossip Surrounding ‘Don’t Worry Darling’ puts Olivia Wilde’s second film in an awkward spot that doesn’t justify the hype (it’s fine at best), but perhaps capitalize on it is recommended. Florence Pugh makes her strongest case to see the movie, but don’t worry if she misses this one considering how in demand she is.
The dark and mysterious concept represents a notable departure from Wilde’s impressive debut. “Booksmart” A little coming-of-age movie that hits all the right notes. Given the chance to step up in class, the actor-turned-director assembled a top-notch cast, but a story that teases the build-up for a little too long and doesn’t pay off properly. In fact, the ending becomes what the movie’s driving force speaks of striving to avoid: chaos.
There are also plenty of recent comparison points, such as George Clooney’s Suburbicon, that owe a spiritual debt to The Stepford Wives for its carefully manicured suburban imagery. There’s just a touch of “Edward Scissorhands” in the pastel vision of the perfect cul-de-sac. There, while a man drives a single file to work, his wife dutifully waves goodbye.
Alice (Pew) and husband Jack (Harry Styles) seem to be living a dream, partying hard with their colleagues in a 1950s-style planned community. When you hear Alice’s buddy Bunny (played by Wilde) say it, the two are so insanely hot for each other that it’s almost disgusting.
But on closer inspection, everything seems a little too perfect and questionable, starting with the fact that no one can explain exactly what they’re doing for something called the Victory Project. There’s also a cult-like devotion to Frank (Chris Pine, like Pugh, a cut above the material).
If the goal is a sort of Happy Talk fit, then when Alice starts to feel something is wrong, fueled by strange dreams, surreal imagery, and neighbors’ behavior, it’s replaced by something akin to gaslighting. increase.
Based on a script credited by Shane and Carrie Van Dyke (grandson of Dick Van Dyke) and Katie Silverman of Booksmart, ‘Don’t Worry Darling’ falls into the creative trap of following the model of an episode of ‘The Twilight Zone’. increase. The film has something to say about gender politics and misogyny, but enough to set it apart from many others. It’s not that clear.
Given that, the question is Published by The New York Times As for the off-screen relationship controversy – “Will skyrocketing publicity hurt ‘Don’t Worry Darling’ at the box office?” – looks exactly upside down; Whether its curiosity, including star analysis. At the Venice International Film Festival premierecan spark interest in an otherwise unremarkable film? (This film is published by Warner Bros. like CNN, a unit of Warner Bros. Discovery.)
In fact, despite the hype surrounding Styles stepping up his acting career, the main attraction should be Pugh, who is making a name for himself with his Oscar nomination for “Little Women.” “Black Widow” And next ‘Dune’ – she will be seen in another movie ‘Wonder’ in November.
After Wilde’s impressive debut, there’s always been hope that the filmmaker can pull off another success. Ultimately, though, it’s hard to call this project a win.
“Don’t Worry Darling” will premiere in US theaters on September 23rd. R designation. The film is distributed by Warner Bros. Like CNN, it’s a Warner Bros. studio. discover.